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BAND IN TRANSITION 'The Field Records' Collective - Recordings from the Collection of Ray Alden' FRC-102-CD

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Field Recorders Collective has become the foremost vehicle for getting music by master old-time musicians into the hands of listeners. As such, they have become in essence a public archive of recordings made during the old-time revival by exceptional collectors and musicians. Times have changed a lot since our friends were recording the traditional bearers back in the 1960s and 1970s, and they have changed since FRC produced its first CD. FRC, therefore, is now making some of their classic early CDs available as digital downloads.

Tommy Jarrell is the Grateful Dead of traditional fiddle recordings. Everybody seemed to record both, and those recordings seem to be everywhere, but the fans still want more. Even though, like his son Benny, we know what he is going to say and what he is going to play, we eat it up. During the last year of Tommy's life, Paul Brown took him to Massachusetts for the Pinewoods Music Camp. Just like at home, Tommy's "teaching" consisted of him playing and sometimes singing, often expertly accompanied by Paul and Mike Seeger. New Yorker Jerry Epstein captured much of the "classes." Tommy Jarrell, Vol. 2 (FRC212) is the second collection drawn from those tapes. The album collects 30 tunes, which helps it stand out from the field. With the 27 selections on Vol. 1, they form a comprehensive collection of Tommy repertoire. Vol. 2 include the "hits" such as "Breaking Up Christmas" and "Joke on the Puppy" and less heard pieces such as "When Sorrows Encompass Me Around" and "Rochester Schottische."

Albert Hash remains a legend in the old-time world as fiddler, tradition bearer, band leader, and luthier. Unlike the other two projects here, the music on Albert Hash, Vol. 2 (FRC707) comes from multiple sources including Wayne Henderson, the Spencers, and the Augusta Heritage Center. Delightfully, several of the 31, yes, 31 tunes include spoken comments by Hash. He plays plenty of the old familars, his original "My Whitetop Mountain Home," and a cover of the pop song, "Love Letters in the Sand." With the variety and intros, this is essential for any Hash fan.

Less well known, and thus even more important to have been recorded, are the The Kimball and Wagoner Families (FRC-06). Fiddler Taylor Kimble (1892-1979) raised two children who are recorded here with his first wife and then remarried at 76, to banjo player Stella Wagoner, also heard here. Ray Alden began recording them in 1972. This release is derived from a double cassette Ray released from those tapes. The set contains far more singing than the other two sets but is more important is what it tells us about the roles of family, place, and time in traditional music. For example, we find the Oak Ridge Boys' hit "The Baptism of Jesse Taylor" and "Silver Threads and Golden Needles" from Wanda Jackson and Linda Ronstadt in among "Don't Let Your Deal Go Down" and "Georgia Buck." Other titles have morphed such as "Duncan and Brady" becoming "Brady Why Didn't You Run" and taking on some aspects of "Otto Wood the Bandit."

If you love the old music and understand about the fidelity of field recordings, you'll live the Field Recorders Collective catalog.

This CD concentrates on the band rather than the individual and addresses what happened to the sound of one of old time music's great modern bands when certain members left and others joined. Benton Flippen joined North Carolina's Camp Creek Boys in the late 1960s and shortly after formed his own band, the Smokey Valley Boys, circa 1971. Although Paul Sutphin endowed both bands with his strong vocal lead, the new banjo and mandolin players, along with Benton's leadership on fiddle, changed the sound. Finally, the last six tracks hint at what the Camp Creeks Boys would have sounded like if Tommy Jarrell had joined the band.


Camp Creek Boys: Benton Flippen (fiddle), Kyle Creed (banjo), Paul Sutphin
(vocals) and Ronald Collins (guitars), Verlin Clifton (mandolin). Recorded
by Ray Alden at the 1970 Galax Fiddler's Convention.

  1. June Apple (2:08)
  2. Let Me Fall (2:25)
  3. John Hardy (1:39)
  4. Liberty (2:11)
  5. Fortune (2:05)
  6. Sally Ann (1:42)

Smokey Valley Boys: Benton Flippen (fiddle), Gilmer Woodruff (banjo),
Paul Sutphin (vocals) and Larry Flippen (guitars), Hoyle Jones (mandolin
& vocals). Recorded at Tommy Jarrell's New Year's Eve Party 1971 by Ray
Alden. 7 Gold Rush (2:14)

  1. Grey Eagle (2:11)
  2. Durham's Bull (2:46)
  3. Susanna Gal (3:44)
  4. Lost Indian (2:01)
  5. John Hardy (2:15)
  6. Liberty (2:06)
  7. Benton's Dream (2:58) (Benton Flippen, BMI)
  8. Lonesome Road Blues (5:11)
  9. Bile Them Cabbage Down (2:28)
  10. Whoa Mule (1:12)
  11. Richmond (2:27)
  12. Meet Me Tonight (2:40)
  13. Sally Ann (3:43)
  14. Florida Blues (2:08)
  15. Thinking Tonight Of My Blue Eyes (2:33) (Kyle Creed, banjo)

Tommy Jarrell with Kyle Creed (banjo), Paul Sutphin, Mac Snow, Norris
Jarrell, Benton Flippen (guitars), Earnest East (Fiddle). Recorded at
Tommy Jarrell's New Year's Eve Party 1971 by Ray Alden. 23 Reuben (3:49)

  1. Cluck Old Hen (2:35)
  2. Katy Kline (3:05)
  3. Let Me Fall (1:17)
  4. John Brown's Dream (2:39)
  5. Big Eyed Rabbit (2:59)