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CLYDE DAVENPORT Volume 1 'The Field Records' Collective - Recordings from the Collection of Ray Alden' FRC-103-CD

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Field Recorders Collective has become the foremost vehicle for getting music by master old-time musicians into the hands of listeners. As such, they have become in essence a public archive of recordings made during the old-time revival by exceptional collectors and musicians. Times have changed a lot since our friends were recording the traditional bearers back in the 1960s and 1970s, and they have changed since FRC produced its first CD. FRC, therefore, is now making some of their classic early CDs available as digital downloads.

Tommy Jarrell is the Grateful Dead of traditional fiddle recordings. Everybody seemed to record both, and those recordings seem to be everywhere, but the fans still want more. Even though, like his son Benny, we know what he is going to say and what he is going to play, we eat it up. During the last year of Tommy's life, Paul Brown took him to Massachusetts for the Pinewoods Music Camp. Just like at home, Tommy's "teaching" consisted of him playing and sometimes singing, often expertly accompanied by Paul and Mike Seeger. New Yorker Jerry Epstein captured much of the "classes." Tommy Jarrell, Vol. 2 (FRC212) is the second collection drawn from those tapes. The album collects 30 tunes, which helps it stand out from the field. With the 27 selections on Vol. 1, they form a comprehensive collection of Tommy repertoire. Vol. 2 include the "hits" such as "Breaking Up Christmas" and "Joke on the Puppy" and less heard pieces such as "When Sorrows Encompass Me Around" and "Rochester Schottische."

Albert Hash remains a legend in the old-time world as fiddler, tradition bearer, band leader, and luthier. Unlike the other two projects here, the music on Albert Hash, Vol. 2 (FRC707) comes from multiple sources including Wayne Henderson, the Spencers, and the Augusta Heritage Center. Delightfully, several of the 31, yes, 31 tunes include spoken comments by Hash. He plays plenty of the old familars, his original "My Whitetop Mountain Home," and a cover of the pop song, "Love Letters in the Sand." With the variety and intros, this is essential for any Hash fan.

Less well known, and thus even more important to have been recorded, are the The Kimball and Wagoner Families (FRC-06). Fiddler Taylor Kimble (1892-1979) raised two children who are recorded here with his first wife and then remarried at 76, to banjo player Stella Wagoner, also heard here. Ray Alden began recording them in 1972. This release is derived from a double cassette Ray released from those tapes. The set contains far more singing than the other two sets but is more important is what it tells us about the roles of family, place, and time in traditional music. For example, we find the Oak Ridge Boys' hit "The Baptism of Jesse Taylor" and "Silver Threads and Golden Needles" from Wanda Jackson and Linda Ronstadt in among "Don't Let Your Deal Go Down" and "Georgia Buck." Other titles have morphed such as "Duncan and Brady" becoming "Brady Why Didn't You Run" and taking on some aspects of "Otto Wood the Bandit."

If you love the old music and understand about the fidelity of field recordings, you'll live the Field Recorders Collective catalog.

Clyde Davenport, both a great musician and repository of old tunes from south-central Kentucky, was born near the Tennessee border in 1921 to a farmer and fiddler, William, and Lucy Davenport. In 1943, Clyde returned from WWII combat in Italy to work at an auto factory and to fiddle daily on a Muncie, Indiana radio station. While tracks 2-16 with Hobart Dixon on guitar give an idea of the sound one might have heard listening to Clyde on radio, the other tracks only begin Clyde's vast repertoire (Vol. 2, FRC 104).

Tracks 2-16: Clyde Davenport, fiddle; Hobart Dixon,

  1. Hobart Dixon's Introduction (0:12)
  2. Leather Britches (2:43)
  3. Ladies on the Steamboat (1:45)
  4. Big Footed Nigger (2:13)
  5. Sourwood Mountain (2:02
  6. Pull off Your Coat and Throw it in the Corner (1:50)
  7. Cumberland Gap (2:34)
  8. Lost Indian (3:51)
  9. Sandy Land (3:12)
  10. Sally in the Garden Shifting Sand (2:24)
  11. Sleeping Lula (2:26)
  12. Free Little Bird (2:26)
  13. Rusty (Rustic) Night Dance (3:04)
  14. New Broom (2:29)
  15. Wink the Other Eye (2:28)
  16. Roses at the Door (2:03)
  17. Hobart Dixon's Goodbye (0:16)

Tracks 18-21: Clyde Davenport, banjo

  1. Uncle Clay Davenport's John Henry (0:56)
  2. John T. Gregory's John Henry (1:14)
  3. Clyde Davenport's John Henry (0:26)
  4. Dave Macon's John Henry (0:23)

Tracks 22-38: Clyde Davenport, fiddle, vocal

  1. Devilish Mary (2:15)
  2. Cuckoo's Nest (2:12)
  3. Fire in the Mountain (Old Time Way) (1:09)
  4. The Girl I Left Behind (1:43)
  5. Sourwood Mountain (1:30)
  6. Blackberry Blossom (1:48)
  7. The Rolling Mill is Burning Down (2:09)
  8. Coal Creek March (1:17)
  9. Drunken Hiccups (4:00)
  10. Poor Ellen Smith (1:43)
  11. Old Johnny Booger (0:58)
  12. Rabbit in a Log (and I Ain't Got No Dog) (1:20)
  13. Easy Rider (1:40)
  14. Johnson's Old Grey Mule (fiddle) (1:39)
  15. Flop Eared Mule (1:48)
  16. Wild Goose Chase (2:03)
  17. Done Gone (2:47)